Before I do anything else today - the dishwasher is loaded, I finally got the floor mopped and the living room rearranged, i.e,. cleaned...ah, how handy, Tarah's room, now the storage room for boxes of papers and stuff that I'll go through...some day! I need to talk about the desert book, and what it means to me. The rip current of insecurity and worries and fears, tugging at my confident and excited swimming. I can ride waves. I know how to swim parallel to shore. Still, the anxiety.
Before I say anything else, it's a beautiful morning and it's time for me to reflect. A whirlwind, busy, full, past few months. It feels like September started, school started, and bam, bam, bam. Desert outings and hikes. Tecopa Hot Springs, Amargosa Canyon, East Mojave Preserve. Morongo Canyon, Joshua Tree, full moon sunsets and the excitement and inspiration of October and November in the desert. Creative writing classes, crazy teaching load, cool students I'm enjoying getting to know, the back and forth to Riverside. Exploring widely, and being home.I could be sailing on Lake Mojave, as I was once wont to do, that's how smooth this time of year to a desert person truly is.
As I realized awhile back, my geographical spin the past few years has actually evolved into a trace-over of the centuries-continous, Cahuilla Indian landscape. From the Anza Borrego Desert, up to the Salton Sea, actually ancient Lake Cahuilla as it was once known, to the rim of the start of the Mojave Desert, inclusive of the Santa Rosa & San Jacinto Mountains and western plateau to Temecula, and inclusive of the San Gorgonio Pass, Moreno Valley, Redlands, and what is now downtown Riverside next to the Santa Ana River. This has become my turf, my driving range, my friend-circle and my poetry and writing center.
And so it's been, a circular tracing by car, by hike, by poetry readings, by desert conservation meetings. Where the Indians know the roll and cut of the land, where every oasis and shelter and food resource is, every scope of climate and altitude, from warm winter sand dune to cool mountain peaks, so I've come to know the same, in a metaphorical and internal way. Not to completely bifurcate from the innate hiking and outdoors soul connection I have with the land. Years of hikes, backpacks, exploring, sitting, silencing, connecting with the desert and chapparal and high mountain turf. My homeland, and extension of my inclusive homeland of the entirity of the California deserts and southernmost mountains and ocean coasts, to the Colorado River.
The desert book!
No Place for a Puritan, indeed! My friend and greatly admired professor and poet, Juan Felipe Herrera, responds to an email naming it, so creatively and aptly,
No Placer for Old Cilantro. I love it!!! I've gone through a lot of emotions in the past few months. I wonder if all authors go through these things! Doubts, insecurites, fears, weird sensations of alone-ness, pressure to do my end for book readings and releases - the first one scheduled for downtown Riverside Library on Saturday, December 5th! Agh! Then UCR-Palm Desert, January 29th, and UCR Writers Week back in Riverside again on February 13. Oh, did I mention College of the Desert on February 10th? I'm scared! The scope and involvement of so many writers, desert topics, places, and people. Have I done these writers justice, as their editor? Did I do well enough on the introductions to each piece? What kinds of criticism will I receive? Hopefully the uplifting types of literary criticism, little tidbit reminders of my grad school years.
I'm worried about my preface. I realized just this weekend that I think an earlier version of it appears in the advance copy I got back in August. I'm fretting over who wrote reviews. I'm fretting over getting review copies to reviewers I know, if we will get the advance press we need in time. At Heyday, I'm working with three different people - Lillian for events, Susan for publicity, and Sean for book sales.I have piles of business cards, contact information, people, connections, lists, names, emails, for readings, lectures, sales....stretching from L.A. to San Diego to Death Valley to Imperial County, and let's not forget Palm Desert and Riverside! I feel I'm coming full circle with the book that made me feel so connected three years ago,
Inlandia: a literary journey through southern California's Inland Empire. The big readings in Riverside and UCR-Palm Desert in December, 2006 - the latter, I coordinated with my friend and poet, Lori Davis- and all the community excitement and involvement and path this has led me on as a writer, poet, editor, and part of the Inlandia Institute and beyond.
A touch of sadness, that I met my now-ex at the inaugural Inlandia events. He was (is?)a part of the creation and formation of the desert book, both in spirit and assistance, and his poetic presence at the many recent events I've been part of in Riverside, and particularly our working partnership with so many written publications, is a sad loss for me. His house and mine. Lugging the boxes of manuscripts and books back and forth, back and forth. Did we get the late fees on 25 library books on his card or mine? Working overtime. Teaching fulltime, and jamming back and forth from the Palm Desert library to downtown Riverside local history basement room. The routine 120 mile round trip again, again, again, sometimes at 2 or 3 a.m. and sometimes stops at the Morongo Casino. The loss of my working friend. Guess I was more dispensible in his life than he in mine. To be from the desert is to be always kind of looking for a home, where maybe the sand isn't so stinging, the summers not so taut, the hunkering down behind closed curtains lifestyle, not so impenetrable. I came in on the last train on a night of pounding rain. Sweet rain and unimaginable relief. For a time. To birth a book. Whose pages of my life, my shared journey, in the making are now imaginary wings. Drifting in a thousand different places to grace the desert and sift into obscurity. And the book somehow remains. Having nowhere else to go. I always thought a writer/editor's life was fun.
It was about all I could do to pull a professional life out of College of the Desert, in a town where people leave work by noon and shake the martinis and grab the clubs of golf. And raise the kid. And shiver on my first visits to Riverside, cold and suprised by the people overlapping and the fog. A place where people have longtime friends from childhood and very few move away. Something I've never known. Everyone from my then-small desert town got the hell away as soon as they finished high school and never come back. Why did I stay? Not sure I know. Sadness, and also amazement at the beauty I've seen, in this long desert criss crossing and re-crossing. The last three years, and more, beyond what I can repeatedly see.
The best thing about this book, for me, is that I feel, at last, widely connected to people, even if I can't claim a true home, or identity, or having the continuity of a life where the ocean is always rubbing shoulders with the mountain-protected inner-coastal towns, as in the I.E., with its brow-cooling late-day breeze. We don't get that in the deserts, only raw, furiously scraping winds that turn entire days, weeks, year-round, into their own brand of nervous breakdown. Coming from my own strangely betrothed homeland, I have no real cultural or personal identity, except what I can borrow, not steal, and fuse from an inner oasis of sorts a grafting onto an outer self to be, through the beauty and inspiration of other lonesome desert dwellers and quick-trip-visitors have committed to words.
This desert, ah, this desert, is the last void in a voidless land where most people have long hastened away from their roots. Even the westward expansioners hurried through, and gave some Californians a place to know and grow in. For 100, 200 years for the lucky ones, or even in a recent generation. Things I do not know. The product of parents who wanted nothing more than open space and to be left alone. Far from "society." The desert has no roots. What passes for longevity is always short-lived. And for those who have shared their stories and words with me, I thank them all and one. I think I visioned these on some remote hike in a canyon near Wild Wash Road. One day.
Scanning libraries and ordering rare desert books from amazon. Reading and dreaming, organizing in my mind, looking at maps, pinpointing the geography. 25 million square acres, all of parts of 7 counties, early human history to present time, and who am I? Rewriting the introductions at least 50 times, some 100 or more. Enlisting whatever friend, family member, colleague I could find at the time to help me photocopy, read a piece and give feedback, and also finding sensitive ways to let good friends know if their piece was not going to be in. The job of editor can easily make someone into a "bad guy." I'm probably more sensitive to peoples' feelings than they'll ever know. Revisiting desert places again and again, taking photographs (many which will be fused into a short film that will join me at some of the readings) across the Mojave, wanting to just...get it right. Visually, poetically, peripatetically.
The bibliography pages: don't even ask. I almost slammed my laptop to the tile floor a few dozen times at the agony of birthing the endless endless endless trudge of getting permissions. Finishing the last of the introduction revisions on a January day with a blinding migraine on a Santa Ana windy dry day, sitting near my friend the poet Ching-In, and trying to placate a restless 11-year-old who was with me that day. Finishing the book, turning it in to Gayle at Heyday in March, and doing the slow glide through spring and summer and fall - will the book ever get here? Does it really exist? Any day, any day, they tell me - I'm ready for birth.
I don't know how many other writers can identify with me on this: the creation of the desert book, for me, was and continues to be an epic journey for me, which in this case, reflects the arduous crossing and re-crossing thousands of times, in body and spirit, in story and book, in personal life triumphs and agonies, and in fact, a reflection of my entire life since the age of 13, and the years since, and the intensity of the past 2 or 3, gathering tidbits of stories and words and people's desert forebodings and meditations and beauties and lives - from the age of 13 and now a series of three's down the dusty road line to 46....from the age of 13, when I first began to inhabit the Mojave full time and innocently wandered into its remotest shores. Not a stretch. The mirage-wink bounces back to me, and I rise from a salt bed where ancient inland lakes, connected by rivers and streams, once laid their heads.
Used to feel just like me and Ed Abbey out there, maybe a touch of Yeats's Second Coming, a bit of Pete Fairchild, my mentor, who encouraged me to articulate the loneliness of a twenty-something young woman stumbling through the desert and into his intro to poetry classes at Cal State San Bernardino, 60 miles away and a long drive with the old, broken down car I had then. And back uphill. And now?
Now, out of silence and isolation, out of apart-ness and an imagination that has developed much like the desertscape itself, surprising, frightening, delicately beautiful, embodied and exposed: my inner world, and I'm coming out of the desert a little beat up for the travels, with a bag of literary gold. And this has been my life. A book. I present it to the world, then I'm off to disappear again. Or so I think. Maybe a little bit of both. Readings and people and my new life as a book editor and writer. Creative writing teacher. Workshop leader. And more, that I can't yet foresee. Free fall life, daughter grown, more adventures await me. I have a lot of memory flashes of remote desert hikes over the years. Providence Mountains, Kelso Dunes, Panamint Hot Springs, Deep Creek.
Quiet times, and now there is so much activity and noise, the music-song of stories new and old. Humming from the landscape and my story joins a massive alluvial fan, once surging with water, now wide and silent, waiting, a quarter, half mile, the streth of bluff to bluff of the vast Mojave River, flowing from the forks at the base of the San Bernardino Mountains to Soda Dry Lake in the middle of nowhere. Waiting for the rain and power that it will one day own, again. I'm thrilled. I am in the current. I am terrified. And I am vastly stilled.
And now...for the announcements
I'm pictured in the Pahrump, Nevada newspaper as part of a Phantom Seed reading I coordinated at Tecopa Hot Springs Resort Oct 25. It was really nice, and best of all was hearing my friend Brian Brown of the Amargosa River Conservancy (one of the founders!) read his awesome story, "The Best Funeral." Check the pictures out at:
http://www.pahrumpvalleytimes.com/2009/Nov-06-Fri-2009/news/32277505.html
Veteran's Day Alternative Poetry Reading
Wednesday, November 11th
Studio 120, corner of Tahquitz Canyon + Palm Canyon Drive
downtown Palm Springs.
9:00 p.m.- 2:00 a.m.
21+ featuring Latin Beats and spoken word poetry
hosted by the inconquerable Eduardo Valdez
I am one of the featured poets! Hurrah!
Monday, November 16th
6:00-9:00 p.m.
Poetry, Music and Art
downtown Redlands (location/information coming soon)
hosted by the artist Cindy Rinne
featuring CSUSB MFA poets + Ruth Nolan
Friday, November 20th
Poetry Reading at Back to the Grind
7:00-10:00 p.m.
music + spoken word poetry
hosted by Alaska Whelan
I'll be reading there, too!
And...thanks to Kath Abela Wilson and Rick Wilson for hosting me so generously last Thursday evening, complete with a desert-food-themed evening, with Rick playing Native American flute. I gave a talk on desert poetry and then attendees from Kath's usual Thursday night group shared desert poetry they had written in advance! Thanks to my friend Maria Elena, for driving me to Pasadena and back and for her poetic and awesome comraderie!
The reading at Whitewater Preserve last Sunday was nice. I got to meet up with my friend, the desert conservation writer Chris Clarke, who edits the El Paisano journal for the Desert Protective Council. He's been a steady contributor to Phantom Seed magazine. This event was a great tribute to desert conservation heroes, many working on desert protection since the 1950's and more, including a talk by the honored speaker, Elden Hughes, a leading proponent of such bills as the Desert Protection Act and the new, emerging Desert Conservation and Usage bill that is being shaped by Senator Dianne Feinstein. I was humbled and honored to be given 15 minutes to promote
No Place for a Puritan (Old Cilantro) among them!